Asian Superheroes part 3 - Super Young Team

It's been a while since I've written about Asian Superheroes (when DC, Marvel, Image, Wildstorm et al take an honest crack at writing Asian spandex heroes) as frankly, there's not a lot out there. But when you do come across em, you take notice, scratch your head, and in my case with the Great Ten, happen to stay abreast of whenever they make appearances (such as in Checkmate). This time around, the focus is on Super Young Team - another creation of Grant Morrison (who created China's Great Ten). SYT is from Japan, and as such can best be described as trendy, superfluous, J-pop/idol-based, idiosyncratic tomfoolery. Let me be blunt, I don't know if I hate them or respect the effort put into making them a statement of today's 5-second attention-span, twitter-saturated youth or a mockery of what heroism is supposed to mean. They are not heroes. No, SYT is a bunch of meta-powered teenage idols thrown together by a PR machine with no reason for being. Sadly, they know it themselves. Despite pinch hitting saving the universe in Final Crisis along with the Checkmate Organization, Renee Montoya, the Justice League and Captain Marvel - their true contribution to the side of good is looking glam, endorsing cocktail parties and merchandising.

They were introduced as the current incarnation of Jack Kirby's Forever People, for fuck sakes. I LOVE the Fourth World (Darkseid, Desaad, Kanto and the rest of them) and seeing Kirby's creations turned into things I HATE (having lived in Japan for seven years and working alongside the Tokyo talento industry gave me this perspective) made me shudder at the vapidity and hypocrisy of a bunch of superpowered amateurs with little understanding of morality and sacrifice. This would all be fine, I suppose, but because they resemble the idiocies of a supremely shallow and bereft-of-talent industry, I'm going to see how they develop. To be fair - the writer, Joe Casey, nailed down the Tokyo Pop environment pretty damn well. References to Kiddie Land, Akiba, Shibby-Shibs, etc etc are all in there. Anyhow, here is who they are:

- Most Excellent Superbat: costume based on an amalgamation of Batman and Superman. His talent? Being really fucking rich. Limited martial arts capabilities but when you save Japan by buying it outright, hell even I'm impressed.

- Big Atomic Lantern Boy: sexually-repressed virginal nerd who combines Firestorm and Green Lantern. Hint of being a pervert with some kinky fetishes regarding his team-mate called....

- Shiny Happy Aquazon: similar to Mera, Aquaman's wife, in being able to create hard-water constructs and can live underwater. Wearing S&M PVC gear, she is the team's bimbo, ready for her face to be plastered on ads and keitai's (mobile phones) all over the world. Well, Japan anyways.

- Shy Crazy Lolita Canary: a fist-sized winged schoolgirl alcoholic. Her primary superpower is a sonic scream - only screams "Sumimasen!!!" (excuse me) a la Black Canary. Her secondary superpower is being annoying. Actually, I liked her the most. The alcoholism rung a chord, I guess.

- Well-Spoken Sonic Lightning Flash: you guess it - the team's speedster. He looks plain awful with an eggshell helmet, and can only go 500MPH. Considering that is Jay Garrick's (Silver Age Flash) cruising speed, and Wally West and Bart Allen have both gone Speed of Light, big freaking deal.

Analyzing the DC Universe Original Animated Movies

Since most, if not all, of these were direct to DVD (and hence an automatic stigma gets attached to that), a lot of these didn't receive a lot of publicity when they came out. Which is a shame, as critical response has been amazing - in fact a lot better than most of the animated movies which actually make it to the theatre. I would guess DC does it for cost reasons, DVD sales can be pretty brisk as is, and the marketing budgets needed to launch a movie are cost-prohibitive. But at any case, let's take a closer look at the DC Originals.

1. Justice League: The New Frontier. Based on Darwyn Cooke's graphic novel, this is a storyline that takes place in the McCarthy era. The JSA has been broken up and heroes are not well-received by the government and the people. It's about the rise of the JLA as told through mainly Green Lantern (Hal Jordan version) and the Martian Manhunter. Superman, Batman and Wonder Woman are secondary characters. The Flash (Barry Allen version), Will Magnus, Kyle Morgan (Challengers of the Unknown), Rick Flagg, The Atom, Green Arrow, King Faraday, and Adam Strange also make appearances. There are plenty of villainous cameos and the main villain is The Center, otherwise known as Dinosaur Island. Some great writing here, and even if you're not a big fan of the Silver Age of comics, this is still impressive. Rating PG-13.

Comparison: animated series such as The Superfriends, Justice League, and Justice League Unlimited.

How does it stack up? It's on par with the latter two series although the era that its set in adds a definite Cold War feel on par with the Watchmen. With no live movie to compare to (not including that 1970s crap with Ed McMahon), this is now the standard. The artwork is wonderfully done in a Max Fleischer-style, and feels right for a Justice Society-timeframe look. Voice-wise, I just didn't buy into Jeremy Sisto as Bruce Wayne.

Best parts: David Boreanaz as Hal Jordan and Neil Patrick Harris as Barry Allen. The speech by John F Kennedy at the end to a montage of everything coming in the JLA history.

http://en.wikipedia.org/wiki/Justice_League:_The_New_Frontier

2. Superman: Doomsday. Based on the Death of Superman series that was a ploy to rise profits on the Superman title when things weren't going so well for DC, with the character of Doomsday being a pure plot device rather than a real foil with any justifications for wiping out the Man of Steel. This movie adaptation streamlined that narrative and eliminates many of the new characters like Cyborg Superman (Hank Henshaw), John Henry Irons, Eradicator and Connor Kent. Instead they are all replaced by Bizarro, which kind of makes sense when you think about it.

How does it stack up? In truth, the only animated comparison is the Justice League episode Hereafter, which itself took elements of the Funeral for a Friend storyline from the comics. I suppose the only thing that can be compared to it is the Superman Returns live movie by Brian Singer. And if we're going to do it that way, then the animated movie actually wins. Superman Returns had far too many flaws to bring it to bear.

Best parts: James Marsters as Lex Luthor, and Adam Baldwin as Superman. I would think that Tim Daly and Clancy Brown would have been better, but Marsters and Baldwin were serviceable.

http://en.wikipedia.org/wiki/Superman:_Doomsday

3. Batman: Gotham Knight. This was a companion DVD in preparation to the theatrical release of Nolan's Dark Knight. It was six different films done by six different Japanese animation companies, much in the same way as the Animatrix. In fact, the same companies that worked on the Animatrix were the contributors to Gotham Knight. These stories are set between Batman Begins and Dark Knight or during the training period before Bruce Wayne discovers the League of Shadows in Bhutan. Some deal with pain, others with his tenuous relationship with the Gotham City Police Force, others how the public perceive him. There are appearances by the Scarecrow, Crispus Allen, Killer Croc and Deadshot.

How does it stack up? In reality, the closest two things to compare this to is the Animatrix, and Gotham Knight is easily more compelling. The other, unfortunately, is the Batman Animated Series by Bruce Timm, which had already set the standard for all DC animated efforts for now going almost 15 years. True that Gotham Knight is better animation, but the Timm-verse series has the history, the writing, and the pedigree behind it. Lastly, we have to compare this to the Dark Knight movie itself - and unfortunately it will be a very long time before any cartoon is going to knock that movie off its top pedestal. Not even close.

Best parts: the animation is stunning, pure and simple. However, the voice acting is so-so, with some overuse by Corey Burton for Jonathan Crane. But thankfully, Kevin Conroy of Timm-verse Batman lends his voice as Bruce Wayne and putting it bluntly, he IS the voice of Batman, easily making Christian Bale's voice sound like a geriatric's ulcer come alive.

http://en.wikipedia.org/wiki/Batman:_Gotham_Knight

4. Wonder Woman. Directed by Lauren Montgomery, this shows the introduction of Diana, princess of Themyscira to the modern world in the background of a war between the Greek gods. Her delving into our world is merely a subploy by the god of war, Ares, to regain his powers and change the balance of power in Olympus. Now that's all well and good, but really, this is actually the first successful portrayal of Wonder Woman in a feature film ever. Excellent writing, tons of humor, mythical bloodshed, decapitations, rendered limbs and awesome voice acting. This is actually the best of the DCAU Original Movies bunch.

How does it stack up? Compared to what? The TV show with Linda Carter? Her role as a supporting character in the Justice League Timm-verse series? There is nothing to compare this to. This is the new standard for Wonder Woman!

Best parts: the voice acting. All of it. From Keri Russell as Diana, to Nathan Fillion as Steve Trevor, to Virginia Madsen as Hippolyta, to Alfred Molina as Ares and Rosario Dawson as Artemis. They knock this one out of the ballpark.

http://en.wikipedia.org/wiki/Wonder_Woman_(film)

5. Green Lantern: First Flight. This shows the introduction of Hal Jordan to the Green Lantern Corps. How he got his ring is shown in the first five minutes (and frankly, Justice League: The New Frontier did a better job of it) so they scoot through that to show the Guardians of Oa, the GLC and Sinestro. Basically, it is Hal Jordan versus Sinestro with some politicking up front and in your face. We all know Hal Jordan will win this, its actually a question of how he is going to do it. There are appearances by Kilowog, Arisia, Ganthet, Boodikka, Carol Ferris, Tomar Re, Kanjar Ro and the Weaponers of Qward.

How does it stack up? Again, similar to Wonder Woman, there is nothing to compare this to... except, perversely, Justice League: The New Frontier in terms of the portrayal of Hal Jordan. And in reality, David Boreanaz did a better job than Christopher Meloni. But as is, with no other Green Lantern films, series, etc to compare to... it is the new standard. I heard that there is a movie in the works with the over-exposed Ryan Reynolds in the running as Jordan (although he would be better as Kyle Rayner) we have to wait and see.

Best parts: in terms of sequences - the running battle between the GLC and Kanjar Ro's gang. Brutal and sequentially brilliant. And the meeting between Sinestro and the Weaponers of Qward, casual, terse and pretty funny. Victor Garber's voice as Sinestro was spot on. Much much better than Ted Levine in the Timm-verse series.

http://en.wikipedia.org/wiki/Green_Lantern:_First_Flight

Upcoming this year, Batman/Superman: Public Enemies. Based on the DC Comics opening narrative for World' Finest.

The many incarnations of Batman via Warren Ellis' Planetary

This is the first post of the Spacetime Dossier, and what better way to herald the birth of a fairly ambitious blog than to focus on the history of Batman from his different visual incarnations! You may ask why I find this interesting - in truth, I love comic book/sci fi/fantasy history and can talk shit with comic book shop staff for hours on topics as arcane as...well, arcane as comic book topics can get. So the goal of this blog is to visually chart the incarnations of a fantasy icon,cultural figure or just outright oddity as it jumps through the myriad of incarnations through history or media.

One of the best visual representatives is how Batman has looked throughout the ages - and a special edition of Planetary by Warren Ellis has the intrepid "Archeologists of the Impossible" tracking the secret history of their world (kind of like mixing the X-Files with the Fantastic Four) going to their Gotham City to track down a wanted fugitive with quantum shaping powers. Now in their world, there is no Batman. But thanks to the out-of-control abilities of their quarry, they find themselves facing different versions of Bruce Wayne as how different writers and artists have interpreted him over the last 50 years or so. You can't help but smile at the current version of Batman that you would see written by 1) Grant Morrison or Jeph Loeb, grim, intolerant and paranoid, 2) fascist and monstrously brutal a la Frank Miller's The Dark Night Returns, 3) the patient and lawful Batman of Neal Adams of the 1970s, the one comic book geeks probably remember the most fondly, 4) the gun-welding original version by the creator of Batman, Bob Kane, and even 5) Adam West, complete with pudge and Anti-Female Villain Spray. Lastly, I think the artist (John Cassaday) decided to throw in his own version of Batman, as is his right.

I'll do a follow-up of how people interpret Batman in real life in terms of what Batman costumes there are out there another day. But in the meantime, if you want to read this story, it's a real catch, the writing is top-notch (come on, it's written by Warren Ellis!) and it's full title is Planetary/Batman: Night on Earth